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PAINTING·WHITE DWARF 486

Kro’Kak’s Clan

March 2023·pp. 102–103

THE SHORT VERSION

Michael De Luca imagines Savage Orruks copying the misunderstood culture of an abandoned Seraphon city. Shields, weapons and glyphs borrowed from Seraphon kits transform the force, with a Carnosaur serving as Kro’Kak’s mount. Turquoise tattoos unknowingly honour the slann, while recipes for green skin and red hides hold the varied conversions together.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Castellan GreenElysian GreenCoelia GreenshadeLahmian MediumFlash Gitz YellowEvil Sunz ScarletAgrax EarthshadeWild Rider RedTroll Slayer OrangeTemple Guard BlueBaharroth BlueCorax White

Only explicitly named paints used in the feature are indexed.

FOLLOW A THREAD

Conversions Seraphon influence Carnosaur Tattoos

Back to the original

Find this article in White Dwarf 486, pp. 102–103.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 486 · pp. 4–9

Contact!

Readers describe a reunion through a casual Kill Team tournament and the solace of commemorating family in their collections. Questions cover the permanent interaction of Salamanders gene-seed with Nocturne’s radiation and why the Mortal Realms resist a complete map. Painted reader models accompany these conversations, while the practical answers range from intensely orange bases to a narrative Necron conversion.

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PaintingWD 486 · p. 6

Painting Question: Rusty, Dusty Bases

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A Tale of Four Warlords: Challenge One

The new series begins with an open studio challenge: paint and optionally convert an easy-to-build Intercessor or Vindictor, then explain its identity. Thirty-four entrants provide the pool from which judges will select eight candidates for each game. The judges weigh technique and contrast alongside heraldry, background and whether a scheme would work across an army.

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