Loading Bay – Orange-tinted Walls
September 2022·p. 68
THE SHORT VERSION
A black-to-grey zenithal undercoat and white drybrush establish the wall’s light and detail before a thin orange glaze tints the entire surface. Pale lights and terminals then receive green or yellow glazes, producing strong colour separation without individually layering every panel of the scenery.
AT THE PAINTING DESK
Paints in this article
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Back to the original
Find this article in White Dwarf 480, p. 68.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.