The Master Duellist

THE SHORT VERSION

Mark Lifton discusses his long fascination with two-figure narratives and the process of finding components that make them convincing. Matched eye lines, altered victim poses and carefully controlled bases create the interaction, while varied finishes and continual experimentation keep his competition painting developing.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Khorne Red↗Mephiston Red↗Mournfang Brown↗Rhinox Hide↗

Only explicitly named paints used in the feature are indexed.

Back to the original

Find this article in White Dwarf 465, pp. 96–103.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.