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PAINTING·WHITE DWARF 463

The Host of Excess

April 2021·pp. 86–87

THE SHORT VERSION

Calum McPherson presents Syll’Esske, Daemonettes and Fiends as the first half of a planned mixed Slaanesh host. Airbrushed blue skin gives the daemons smooth tonal transitions, while brush-painted mortal flesh and carefully selected accent colours keep the centrepiece and its followers visually distinct.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Abaddon BlackAkhelian GreenBarak-Nar BurgundyBlue HorrorChaos BlackDawnstoneEshin GreyEvil Sunz ScarletFulgrim PinkGuilliman FleshIron Hands SteelKhorne RedKislev FleshLahmian MediumNight Lords BlueNuln OilReikland FleshshadeRetributor ArmourScreamer PinkStormhost SilverTroll Slayer OrangeUshabti BoneWarplock BronzeWhite ScarWraithboneYriel YellowZandri Dust

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Painting techniques

Back to the original

Find this article in White Dwarf 463, pp. 86–87.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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Model of the Month: Aventis Firestrike

Andreas Packroff combines dusty blue Stormcast armour with complementary yellow and purple accents. His Tauralon’s skin begins with the same blue foundation as the rider, using controlled shading and gradually paler mixtures to make a coherent centrepiece without sacrificing the different materials.

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Painting Question: The Silver Maiden

Chris Peach revisits the Silver Maiden Knight’s paint scheme in response to a reader request. The answer supplies the named colours behind the pale metallic-looking armour and its markings, giving an established Freeblade identity a practical painting reference rather than relying only on photographs.

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