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PAINTING·WHITE DWARF 441

Colours of Heresy: Salamanders

April 2019·p. 73

THE SHORT VERSION

Three successive sprayed tones create strong green armour transitions before dirty washes reduce their brightness. Painting several figures together makes use of drying time, while brass and black details keep the result suitable for rapid army production.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackWaaagh! FleshAbaddon BlackMoot GreenSkullcrusher BrassArdcoatAthonian CamoshadeNuln OilSeraphim SepiaMunitorum Varnish

Only the named paints in this individual contribution are indexed.

EXPLORE RELATED TOPICS

Painting techniques

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Find this article in White Dwarf 441, p. 73.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 441 · p. 25

Dan Harden’s Kharadron

Black armour, aged brass and cold blue aethermatics make Barak-Glöm’s skyfleet look at home in lifeless underworlds. A violet wash beneath grey base highlights supplies the decisive Shyish connection, making the environment as important as the miniatures’ clothing.

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PaintingWD 441 · p. 28

Eidolon of Mathlann – Aspect of the Storm

John replaces the Eidolon’s fish with skulls to imagine a manifestation summoned from dying Namarti. A skull mask and storm-dark blue-green palette connect the sea spirit to Shyish and borrow the visual language of Nighthaunt.

Age of SigmarIdoneth Deepkin3 paint colours
April 2019Read summary
PaintingWD 441 · p. 29

The Lands of the Dead: The Tombs of Fallen Heroes

The mausoleum guide separates tombs from their bases so that enclosed graves and stonework remain accessible. Cool walls, aged metal and traces of violet establish an underworld setting, while rotating each wall upwards during washing helps prevent streaks and unwanted pooling.

Age of Sigmar11 paint colours
April 2019Read summary