Illuminations: The Many Faces of War
July 2018·pp. 66–71
THE SHORT VERSION
Phil Moss considers how individual faces and gestures make Warhammer’s immense conflicts emotionally understandable. Familiar soldiers, corrupted humans and monstrous beings express the conditions of their worlds, culminating in John Wigley’s Mordheim juggler, whose grim acceptance reveals more than an action scene alone could convey.
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Find this article in White Dwarf 432, pp. 66–71.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.