The Glottkin

THE SHORT VERSION

Mally Anderson sets saturated flesh against a subdued graveyard, building smooth transitions with an airbrush, blending and glazes. Repeated tones on skin, trees, ground and water unite the scene even as bright magical effects and contrasting values establish its focal points.

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Find this article in White Dwarf 428, p. 85.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.