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PAINTING·WHITE DWARF 428

Saurus Oldblood on Carnosaur

March 2018·p. 97

THE SHORT VERSION

Orange and turquoise form the main complementary colours on Anja’s favourite studio painting experience. Black scales and a white belly act as neutral support, allowing vivid colours to dominate without making every surface compete.

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Colour theory Painting techniques

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Find this article in White Dwarf 428, p. 97.

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ShowcaseWD 428 · pp. 6–7

The Queens of Bloodshed

Morathi and her changing followers introduce a month of new releases spanning the Mortal Realms and the far future. The overview connects the cult’s old blood rituals to its new monstrous units, while highlighting the T’au’s darker expansion history and the arrival of Rogal Dorn.

Age of SigmarWarhammer 40,000Daughters of Khaine
March 2018Read summary
ShowcaseWD 428 · p. 8

Children of Morathi

The first Daughters of Khaine battletome follows Morathi’s escape from Slaanesh and the recovery of aelven souls. Its preview introduces the army’s background, war covens, rules, painting material and reference cards, with contrasting dice representing the High Oracle and Shadow Queen.

Age of SigmarDaughters of Khaine
March 2018Read summary
InterviewWD 428 · p. 9

Designer’s Notes: The Daughters of Khaine Battletome

Robin Cruddace explains the deception behind Morathi’s claimed communion with Khaine: the power of the cult’s slaughter flows to her. Shadow magic, prayers, escalating Blood Rites and a one-way transformation give that background mechanical expression, while the spare Avatar from an existing kit becomes a usable unit.

Age of SigmarDaughters of Khaine
March 2018Read summary