Roboute Guilliman
March 2018·p. 127
THE SHORT VERSION
Dan Hyams tackles the varied textures of Guilliman by painting the head and base separately and finishing blue armour before its gold trim. Gloss shade deepens the metal, a thin black boundary separates colours, and a simple pale-head recipe makes the face manageable.
AT THE PAINTING DESK
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Back to the original
Find this article in White Dwarf 428, p. 127.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.