Canoness Veridyan
March 2018·p. 128
THE SHORT VERSION
Natalie Slinn follows the famous illustration while changing the sword to a blue glow. Study of real armour informs reflections built from black through blue-grey mixtures to white points, with warmer ornament balancing the cold polished surfaces.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
EXPLORE RELATED TOPICS
Back to the original
Find this article in White Dwarf 428, p. 128.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.