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PAINTING·WHITE DWARF 412

Paint Splatter Extra: Citadel Artificer Tint Set

November 2016·p. 132

THE SHORT VERSION

Concentrated tints alter existing paints while preserving more of their coverage and intensity than ordinary mixtures. Worked examples strengthen reds, enrich black, shift turquoise or orange, and create subtler pale or earthy variations, presenting the set as an experimental extension to the familiar paint system.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

SanguiniusFerrus ManusKonrad CurzeMagnus the RedRogal DornVulkanJaghatai KhanHorusPerturaboLorgarMephiston RedKhorne RedAbaddon BlackJokaero OrangeSotek GreenDaemonette HideRhinox HideMechanicus Standard GreyLoren ForestXV-88

Only paints explicitly named in this feature are indexed.

EXPLORE RELATED TOPICS

Painting techniques

Back to the original

Find this article in White Dwarf 412, p. 132.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 412 · p. 33

Phil’s Maw-krusha

Phil Cowey adds a monster whose pale underside and dark spine frame the blue-armoured rider. Cork and stone build up its rocky base, with dusty pigment and small blood effects helping it sit within his growing Ironjawz force.

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PaintingWD 412 · pp. 34–35

Andrew’s Mutalith and Spawn

Andrew King accompanies a Mutalith with six Spawn so its transformative rules can be represented on the battlefield. Cool blue flesh, pale raised areas and vivid yellow-orange details make the collection read as one supernatural menagerie.

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PaintingWD 412 · p. 36

Matt’s Treelord Ancient

Matt Hutson expands the Sylvaneth into a Gnarlroot Wargrove with a Treelord Ancient and more Kurnoth Hunters. His discussion weighs the dependable damage of greatswords against scythes and explains how the new additions support the army rather than simply supplying a larger centrepiece.

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November 2016Read summary