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PAINTING·WHITE DWARF 412

Basing Cookbook: Agrellan Earth and Badlands

November 2016·p. 128

THE SHORT VERSION

Ten examples pair the thin and thick cracked-earth textures with different washes and drybrushes. Warm yellow, sepia and brown treatments suggest dry landscapes, with pale finishing colours picking out the raised flakes.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Agrellan EarthAgrellan BadlandsSeraphim SepiaAgrax EarthshadeCasandora YellowGolgfag BrownTyrant SkullTerminatus Stone

Only paints explicitly named in this feature are indexed.

EXPLORE RELATED TOPICS

Basing Painting techniques

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Find this article in White Dwarf 412, p. 128.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 412 · p. 33

Phil’s Maw-krusha

Phil Cowey adds a monster whose pale underside and dark spine frame the blue-armoured rider. Cork and stone build up its rocky base, with dusty pigment and small blood effects helping it sit within his growing Ironjawz force.

Age of SigmarIronjawz3 paint colours
November 2016Read summary
PaintingWD 412 · pp. 34–35

Andrew’s Mutalith and Spawn

Andrew King accompanies a Mutalith with six Spawn so its transformative rules can be represented on the battlefield. Cool blue flesh, pale raised areas and vivid yellow-orange details make the collection read as one supernatural menagerie.

Age of SigmarSlaves to Darkness9 paint colours
November 2016Read summary
PaintingWD 412 · p. 36

Matt’s Treelord Ancient

Matt Hutson expands the Sylvaneth into a Gnarlroot Wargrove with a Treelord Ancient and more Kurnoth Hunters. His discussion weighs the dependable damage of greatswords against scythes and explains how the new additions support the army rather than simply supplying a larger centrepiece.

Age of SigmarSylvaneth
November 2016Read summary