Unexpected Desolation
December 2013·pp. 142–143
THE SHORT VERSION
Alan and Michael Perry describe visiting the film production for practical sculpting reference. Watching the actors endure barrel scenes helps them capture wet, uncomfortable Dwarves. Costume access explains cloth layers and movement on the Elves. Weapons research reveals distinct bow shapes and the leaf-like arrangement of knives in the quivers.
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Find this article in White Dwarf 408, pp. 142–143.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.