Blood for the Blood God

THE SHORT VERSION

Jes applies glossy red paint to Ogres in three different patterns. Smearing a loaded gutplate creates dragged blood, while thin strokes on a blade imply slashes. Flicking a loaded drybrush produces impact splatter across a club and shoulder. Extra paint at selected edges suggests fresh pooling rather than an even red coating.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Blood for the Blood God↗

All explicitly named paints and finishes are indexed under their historical source names. See the original for mixtures and application order.

Back to the original

Find this article in White Dwarf 407, p. 115.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.