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SHOWCASE·WHITE DWARF 390

Armies on Parade: Paul Norton’s Blood Angels

June 2012·pp. 80–81

THE SHORT VERSION

Dawn of War rekindles Paul Norton’s childhood interest in Blood Angels and leads to the army that wins Swansea’s local parade title. He deliberately chooses clean, lustrous armour so broad vehicle surfaces can become canvases for freehand, symbols and decorative patterns. Converted Death Company Dreadnoughts with Sanguinary Guard wings and a wrist-mounted biker meltagun extend that attention to embellishment into modelling.

EXPLORE RELATED TOPICS

Conversions & kitbashing Freehand & heraldry Miniature showcases Painting competitions

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Find this article in White Dwarf 390, pp. 80–81.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 390 · p. 6

Death from Above

Andrew Kenrick introduces the Space Marine, Ork and Necron aircraft that dominate the issue, including official codex updates for the new Stormtalon and Ork Bommers. The Hobby Team paints complete White Scars and Evil Sunz forces around the aircraft, while Robin Cruddace supplies the background of their struggle on Cardrim. Kenrick also connects the Necron craft to the continuing Tanrak campaign and hints at a future recreation of the airfield battle.

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PaintingWD 390 · pp. 24–28

Ultramarines Stormtalon Gunship

Chad Mierzwa paints the new gunship as an agile anti-infantry attacker in Ultramarines colours. Repeatedly renewed masking protects the clear canopy during primer and spray-gun stages, while the armour, pilot and metals receive their own sequences. Chipped leading edges, scorched engines and Chapter transfers finish the aircraft; the article explains how changing the armour colours would adapt the same methods to another Chapter.

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PaintingWD 390 · p. 25

Stormtalon: Armour Panels

Macragge Blue and Altdorf Guard Blue are sprayed for even coverage before Drakenhof Nightshade defines the panel lines. Calgar Blue and Teclis Blue then provide progressively sharper highlights, with Guilliman Blue glazing the layers together. The extra pale edge stage appears in the illustrated steps even though the later checklist compresses the sequence.

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