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PAINTING·WHITE DWARF 310

Eyes

October 2005·p. 77

THE SHORT VERSION

A black eye position receives a smaller white almond, leaving a dark outline before the pupil is added. Parkes keeps the eyes level and uses pupil direction to change a figure’s personality. A pupil high in the socket with white visible beneath produces a more sinister expression, demonstrating how very small alterations can distinguish otherwise identical heads.

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Eyes Expression Pupil placement

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PaintingWD 310 · pp. 58–59

Painting the Land Raider

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PaintingWD 310 · pp. 72–75

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Snot Green highlighted with Goblin Green establishes the skin, while several pale browns over Snakebite Leather vary the tunics. The Nobz receive more attention to details, Chestnut Ink on selected metal and Shining Gold highlights. A four-step glyph builds offset black and Bleached Bone circles, then restores a little skin colour inside to complete the crescent. Bone replaces yellow in key markings so they stand out from the clothing.

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PaintingWD 310 · pp. 76–79

Painting Faces

Matt Parkes describes display-level human faces through ten skin stages, carefully positioned eyes and a range of hair colours. Thin paint and intermediate mixes create gradual transitions, while ink choices alter the expression and character. Teeth, tattoos, warpaint and scars add distinct personalities without overwhelming the underlying face. The examples repeatedly use the same head so the effect of each choice can be compared directly.

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